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涓嬮潰绲﹀嚭涓€浜涚埈璀伴鐨勭啊鍠В鏋愶紝鑸囧ぇ瀹跺晢姒�銆�

The homeless make up a growing percentage of America鈥檚 population.__1__ homelessness has reached such proportions that local government can鈥檛 possibly _____2____.

1.[A]Indeed [B]Likewise [C]Therefore [D]Furthermore

[瑙ｆ瀽] 鎴戦伕A銆傜劇瀹跺彲姝哥殑浜哄湪缇庡湅浜哄彛涓崰鐨勬瘮渚嬭秺渚嗚秺澶с€俖____, 鐒″鍙鐝捐薄宸茬稉閬斿埌浜嗛€欐ǎ鐨勬瘮渚�锛屾槸鍦版柟鏀垮簻鎵€涓嶈兘灏嶄粯鐨勪簡銆傞€欓噷閬窱ndeed锛屽洜鐐哄叾鏄〃绀哄挤瑾块棞绯烩€滅⒑瀵︹€濓紝 鍏╁彞瑭变箣闁撳苟娌掓湁閬為€查棞绯�锛屾墍浠ヤ笉鑳介伕D) 銆傛敞鎰弒uch鍦ㄩ€欓噷瑾毐鍚殑寮疯鎰忓懗銆�

Many others,____14____not addicted or mentally ill, simply lack the everyday __15__ skills needed to turn their lives _____16__.

16.[A]around [B]over [C]on [D]up

[瑙ｆ瀽] 鎴戦伕A 銆� turn their lives around鑰冪殑寰堝亸锛屾剰璀樻槸鏀硅畩銆佹敼鍠勪粬鍊戠殑鐢熸椿鐨勬剰鎬�銆� Turn their lives over 鍦ㄩ€欓噷瑾笉閫氥€�

Text 1

Rodriguez not that children in remote villages around world are fans of superstars like Amold Schwarzenegger and Garth Brooks, yet 鈥渟ome Americans fear that immigrant living within the United States remain somehow immune to the nation鈥檚 assimilative power.鈥�

24. Why are Amold Schwarzenegger and Garth Brooks mentioned in Paragraph 5?

A. To prove their popularity around the world.

B. To reveal the public鈥檚 fear of immigrants.

C. To give examples of successful immigrants.

D. To show the powerful influence of American culture.

[瑙ｆ瀽] 鎴戦伕D銆侫 鍩烘湰涓婃矑浜洪伕锛屽氨涓嶈瑳浜嗐€侭鏈夌浉鐣跺鐨勪汉閬�锛屾垜涓嶈瑳鍒ョ殑閷鍘熷洜锛屾姄浣弔he public 灏卞彲浠ョ煡閬� B绲曞皪涓嶈兘閬�銆傚氨璞¤泧鎵撲竷瀵革紝鑰冪爺鑻辫獮瑕佽€冨ソ锛屽氨鏄鍦ㄧ礇绻佺殑绱扮瘈(ji茅)涓姄浣忛尟瑾ら伕闋呰嚧鍛界殑寮遍粸銆傛敞鎰忓師鏂噑ome Americans fear that immigrants 鈥� , 鈥渟ome Americans鈥�(涓€浜涚編鍦嬩汉)鑳戒唬琛╰he public(鍏溇)鍡�? 椤劧涓嶈锛岄櫎闈炴槸Most Americans鍦ㄩ柋璁€鐨勬浛鎻涗腑鍙互瑾嶇偤鏄痶he public, 鍛介鑰呭湪閫欓噷鏄伔鎻涙蹇�锛屼篃灏辨槸閷鏇挎彌锛丆. 浣滆€呭湪鏂囩珷涓彁鍒扮殑鎴愬姛鐨勪汉鐗╀竴瀹氭槸绉绘皯鍡�锛熺洝绠″緸寤ｇ京涓婁締瑾墍浠ョ殑缇庡湅浜洪兘鏄Щ姘戙€傛湁鐨勮€冪敓瑾柦鐡﹁緵鏍兼槸绉绘皯锛屼絾鑰冪爺闁辫畝涓嶈姹傝€冪敓鐭ラ亾鑳屾櫙锛屽皪鎵€鏈夊皥妤�(y猫)鐨勮€冪敓鏄叕骞崇殑锛屽嵆浣夸綘娌掕伣瑾亷浠栥€傚彟澶�锛屽鏋滈鐩垑閫欏叐鍊嬩汉鐨勪緥瀛愬鏋滃氨鏄偤浜嗚鏄庣Щ姘戞湰韬殑鎴愬姛锛岄偅灏卞亸闆簡鏂囩珷鐨勪富椤�锛屽ぇ瀹舵噳瑭查兘鐭ラ亾渚嬪瓙鏄偤涓婚鎴栬€呬富椤屽彞鏈嶅嫏鐨�銆傛湰绡囨枃绔犺◣璜栫殑涓婚灏辨槸缇庡湅鍦ㄥ惛鏀剁Щ姘戞柟闈㈢殑鎴愬姛锛岀編鍦嬫枃鍖栫殑鍚屽寲鑳藉姏寰堝挤锛屾湰鏂囧苟涓嶈◣璜栫Щ姘戝€嬩汉鐨勬垚鍔�銆傝珛娉ㄦ剰yet鍚庨潰鐨勫収瀹癸細鐒惰€�锛屼竴浜涚編鍦嬩汉鎿斿績鍦ㄧ編鍦嬬殑绉绘皯鏈冧笉鍙楃編鍦嬪挤澶х殑閫氳┍鑳藉姏鐨勫奖闊�(鏈夊厤鐤兘鍔�)銆傞€欏彞瑭辩殑鍏ф兜鏄粈涔堝憿锛熷墠鍗婂彞璎涗簡鍗充娇缇庡湅涔嬪鐨勪汉涔熷磭鎷滅編鍦嬩汉锛岄偅涔堜綔鑰呭氨瑾簡锛屼汉鍊戜綍蹇呮摂蹇冧綇鍦ㄧ編鍦嬪湅鍏х殑绉绘皯涓嶅彈鍒扮編鍦嬫枃鍖栫殑褰遍熆鍛�锛熻█涓嬩箣鎰忔槸缇庡湅鏂囧寲鍦ㄥ叏涓栫晫鍖呮嫭缇庡湅閮芥湁寮峰ぇ鐨勫奖闊�銆�

25. In the author鈥檚 opinion, the absorption of immigrants into American society is ______.

A. rewarding B. successful C. fruitless D. Harmful

锛昏В鏋愶冀鎴戦伕B銆傛湰椤岄櫎浜咰娌掍汉閬�锛屽叾瀹冮伕闋呴兘鏈変汉閬�銆傞鐩晱浣滆€呭皪缇庡湅鍚告敹绉绘皯鐨勮榛炴槸浠€涔�銆傝珛娉ㄦ剰鏂囩珷绗簩娈电涓€鍙ヨ┍Immigrants are quickly fitting into this common culture, which may not be altogether elevating but is hardly poisonous.銆€璎涗簡绉绘皯婧跺叆缇庡湅鏂囧寲is hardly poisonous=is hardly harmful,鎵€浠涓嶈兘閬�銆傝€屽闅涗笂浣滆€呭緸濂藉咕鍊嬫柟闈㈠皣鍒颁簡缇庡湅鍚告敹绉绘皯鐨勬垚鍔燂紝姣斿瑾Щ姘戝埌绗笁浠ｇ殑鏅傚€欏熀鏈笂蹇樻帀浜嗗師渚嗙殑瑾炶█锛屾柊绉绘皯鐨勫搴竴鑸珮浜�50%鐨勪汉閮芥搧鏈夎嚜宸辩殑鎴垮瓙绛夌瓑锛屾墍浠ラ伕B銆傛湰鏂囧苟娌掓湁钁楅噸寮疯缇庡湅鍚告敹绉绘皯鏄湁濂借檿鐨�锛屾湁鍥炲牨鐨�锛岃€屽彧鏄挤瑾垮惛鏀剁Щ姘戠殑閬庣▼鐨勬垚鍔�锛岄€欓噷A) rewarding鍙堟槸鍋锋彌姒傚康銆傞棞閸甸倓鏄湅鏂囩珷寮疯浠€涔�,閫欐槸涓€鍒囬柋璁€鐨勭簿楂�!

Text 3

According to their latest paper published in Nature, the biomass of large predators (animals that kill and eat other animals) in a new fishery is reduced on average by 80% within 15 years of the start of exploitation. In some long-fished areas, it has halved again since then.

32. We can infer from Dr Myers and Dr. Worm鈥檚 paper that

A. the stock of large predators in some old fisheries has reduced by 90%.

B. there are only half as many fisheries as there were 15 years ago.

C. the catch sizes in new fisheries are only 20% of the original amount.

D. the number of larger predators dropped faster in new fisheries than in the old.

锛昏В鏋愶冀鎴戦伕A銆傛湰椤岀洰鐖鐒﹂粸鏄疉/ D銆傞€欓亾椤屽啀娆￠珨鐝句簡鑰冪爺闁辫畝鑰冩煡绱板埌浠€涔堢▼搴�锛岃€冪敓瑕佸杽浜庤鲸鍒ラ伕闋呬箣闁撶殑绱板井鍗€(q奴)鍒�銆傞鍏堟垜鍊戜締鍒嗘瀽鍘熸枃锛屽湪paper閲�锛岄€欏叐鍊嬪崥澹彁鍒颁簡鏂扮殑婕佸牬鍦ㄩ枊濮嬮枊鐧�(f膩)15骞翠箣鍏ч瓪鐨勬暩閲忓钩鍧囦笅闄嶄簡80%銆傚湪鏌愪簺闀锋湡鎹曟拡鐨勬紒鍫撮噷锛岄瓪鐨勬暩閲忚嚜寰為偅鍊嬫檪鍊�(姝よ檿閫欐ǎ鐞嗚В锛屾瘮濡�1980骞撮枊濮嬫崟鎾�锛岄€欓噷灏辨槸鎸�1995骞村悗)锛屽張涓嬮檷浜嗕竴鍗�銆傛剰鎬濆氨鏄鍘熶締鍙墿20%浜�锛岀従鍦ㄥ啀涓嬮檷涓€鍗婏紝閭ｅ氨鏄鏈変簺闀锋湡鎹曟拡鐨勬紒鍫寸殑鏁搁噺涓嬮檷浜�90%銆傞€欓噷涓嶅瓨鍦ㄦ柊鐨勬紒鍫村拰鑰佺殑婕佸牬鐨勬瘮杓冿紝鏈夊緢澶氳搴﹀彲浠ラ鏂�銆傛瘮濡傝鏈枃涓鑰佺殑婕佸牬鑷緸閭ｅ€嬫檪鍊欏張涓嬮檷浜嗕竴鍗�(閬窪鐨勪汉灏辨渻瑾�锛岄€欎笉鏄〃鏄庢柊鐨�80%瑕佹瘮鑰佺殑50%蹇棊锛�)锛屼絾鏄枃绔犱腑骞舵矑鏈夎閫欏€嬩笅闄�50%鏄湪澶氶暦鏅傞枔鍏�銆傚鏋滄槸1鍊嬫湀灏变笅闄嶄簡50%锛岄偅涓嶆槸姣旀柊鐨勮蹇�锛屽洜鐐烘柊鐨勮15骞村乏鍙虫墠涓嬮檷80%鍛€€傚彟澶�锛屾垜鍊戦倓鍙互鎵惧埌D鐨勮嚧鍛界己闄凤紝绱扮瘈(ji茅)鍟婄窗绡€(ji茅)?銆�?锛佸厛瑾猘 new fishery 锛岄€欏€嬫蹇垫湁鐨勪汉瑾笉鑳芥硾鎸囷紝鏄壒鎸囨煇鍊嬫紒鍫�锛屾墍浠ヤ笉鑳介伕A锛屽洜鐐轰竴鍊嬫紒鍫寸劇娉曟帹灏庡嚭鏌愪簺婕佸牬鐨勭媭娉�銆傚闅涗笂鍦ㄨ獮娉曚笂鏄彲浠ユ硾鎸囩殑銆傝€屼笖娉ㄦ剰on average, 鎴戝€戠附涓嶈兘瑾竴鍊嬫紒鍫村钩鍧囦笅闄�80%鍚�锛岃偗瀹氭槸鎸囦竴鑸従璞°€傚嵆浣挎壙瑾峚 new fishery鏄壒鎸囨煇鍊嬫紒鍫�锛岄偅涔圖涓璶ew fisheries涓嶄篃閷簡銆侱鐨勪竷瀵告垜瑕哄緱鍦╥n the old = in the old fishery, 鍘熸枃涓槸璎泂ome fisheries锛岃€宼he old 涓€鑸槸鍊嬫硾鎸囩殑姒傚康(闄ら潪鏂囩珷涓彁鍒颁簡閫欏€嬭€佺殑婕佸牬)锛屾瘮濡傝the old灏辨槸鎸囪€佸勾浜�锛宻ome old people骞蹭粈涔堜簡锛屼篃鑳芥帹灏庡嚭the old骞蹭粈涔堬紵椤劧鍦―閬搁爡涓殑the old 鎶婂師鏂囦腑some long-fished(old) fisheries鐨勬蹇垫摯澶т簡锛佹湰閬搁爡鍜�24椤屼腑Some Americans涓嶈兘绛夊悓浜巘he public閷椤炰技锛佽珛鍚屽鍊戝ソ濂介珨鏈�锛�

Text 4

This wasn't always so. The earliest forms of art, like painting and music, are those best suited for expressing joy. But somewhere in the 19th century, more artists began seeing happiness as insipid, phony or, worst of all, boring as we went from Wordsworth's daffodils to Baudelaire's flowers of evil.

What we forget--what our economy depends on is forgetting--is that happiness is more than pleasure without pain. The things that bring the greatest joy carry the greatest potential for loss and disappointment. Today, surrounded by promises of easy happiness, we need someone to tell us as religion once did, Memento mori: remember that you will die, that everything ends, and that happiness comes not in denying this but in living with it. It's a message even more bitter than a clove cigarette, yet, somehow, a breath of fresh air.

36.By citing the example of poets Wordsworth and Baudelaire, the author intends to show that

A. Poetry is not as expressive of joy as painting or music.

B. Art grow out of both positive and negative feeling.

C. Poets today are less skeptical of happiness.

D. Artist have changed their focus of interest.

锛昏В鏋愶冀鎴戦伕D銆傛湰椤岀埈璀颁富瑕佸湪B鍜孌锛屼富瑕佽€冩煡閭忚集闂滅郴?锛佲垾鎭艰疆鍏剉浜�锛屼互鍓嶈棟琛撻兘鏄瓕闋岀編鐨勬劅鎯咃紝浣嗘槸寰�19涓栫磤浠ヤ締钘濊闁嬪杞夊悜浜�锛屽緸鎻忓鐢熸椿涓編鐨勬柟闈�锛岃綁鍚戜笐鎯＄殑鏂归潰銆傝垑浜嗕竴鍊嬩緥瀛愯鏄庨€欏€嬭綁鍚�(璜嬪ぇ瀹跺啀娆￠珨鏈冭垑渚嬫槸鐐轰簡瑾槑鏌愬€嬩富椤�)锛岄€欏€嬭綁鍚戝氨鏄緸鑿尣鑿柉鐨勬按浠欒姳杞夊悜浜嗘尝寰疯悐鐖剧殑鎯′箣鑺�銆傚嵆浣夸綘涓嶈獚璀橀€欏叐鍊嬩汉涔熶笉瑕佺穵锛屼綘鍙鎶婃彙浣忎簡鏂囩珷閫欐瑭辩殑涓婚灏卞彲浠�銆傛枃绔犲悗闈㈣В閲嬩簡閫欏€嬭綁鍚戠殑鍘熷洜锛屽洜鐐虹従浠ｇ殑寤ｅ憡绛夊ぇ鐪惧獟楂旀瓕闋屼簡澶鐨勫揩妯�锛岃棟琛撹璧峰埌鍙嶄綔鐢�锛屾彁閱掓垜鍊戜汉鐢熸槸鏈夎嫤闆ｇ殑锛屼竴鍒囬兘鏈冪祼鏉�銆傛湰鏂囦腑涔熸彁鍒颁簡瀹楁暀鍦ㄥ彜鏅傚€欒捣鍒颁簡澶х溇濯掗珨鐨勪綔鐢�锛屽畠鍚戜汉鍊戝鎻�(鎻愰啋)浜虹敓鐨勮嫤闆�锛岃€岄偅鏅傚€欎汉鍊戠殑鐢熸椿鏈韩涔熷緢鍥拌嫤銆傞偅涔堟棦鐒跺凡缍撴湁閫欎箞澶氳嫤浜�锛岄偅涔堥偅鍊嬫檪鍊欑殑钘濊鏇村鐨勬噳瑭叉弿杩拌棟琛�銆傞€欓噷涔熸湁鏈枃绗竴浜屾鎻忚堪鐨勮棟琛撶殑杞夎畩濂戝悎銆俠ummer 鐨勯偅閬撹鍖悊瑙ｉ灏辫垏閫欓噷鐩搁棞?锛佲埛顙冪嚗@鐒堕伕D锛岃棟琛撳宸茬稉鏀硅畩浜嗕粬鍊戦棞蹇�(闂滄敞/鑸堣叮)鐨勭劍榛�(涔熷氨鏄钘濊瀹剁従鍦ㄩ枊濮嬫弿绻�銆佸弽鏄犵棝鑻︿簡)銆傝€孊. Art grow out of both positive and negative feeling.銆€濡傛灉閬搁爡鏀硅秮Arts express / explore both positive and negative feeling绋嶅井濂介粸锛屽洜鐐烘湰鏂囧苟鏈帰瑷庤棟琛撴湰韬槸寰炰粈涔堟ǎ鐨刦eeling鎵€鐢㈢敓鐨�锛岃€屾槸涓昏寮疯钘濊鍦ㄨ〃鐝鹃噸榛炴柟闈㈢殑杞夎畩锛屽彟澶�锛� 鑿尣鑿柉鐨勬按浠欒姳寰堝鍚屽涓嶄竴瀹氳獚璀�锛屼篃灏辩劇娉曟帹灏庡嚭鑿尣鑿柉鐨勬按浠欒姳鏄痝row out of positive feeling,閫欏氨娑夊強鍒拌€冪爺鐨勪竴鍊嬪懡椤屽師鍓囨槸锛屼笉瑕佹眰瀛哥敓鍏锋湁鑳屾櫙鐭ヨ瓨銆傚懡椤屽師鍓囨槸瑕佹眰鑰冪敓寰炰笂涓嬫枃鎺ㄥ皫銆傝€屼笖锛屽嵆浣挎垜鍊戜笉鐭ラ亾娉㈠痉钀婄埦鐨勬儭涔嬭姳鏄〃鐝捐タ鏂圭簿绁炵梾鎱�(t脿i)鍜岀ぞ鏈冪梾鎱�(t脿i)(evil)鐨勪綔鍝�(鑰屼笉鏄敘鐢熶簬浠栬嚜宸辩殑negative feeling),鎴戝€戜篃涓嶈兘寰炴枃绔犱腑鎺ㄥ皫鍑轰締鎯′箣鑺遍€欓儴钘濊浣滃搧(art)鐨勭敘鐢熸槸鐢辨尝寰疯悐鐖剧殑negative feeling鐢㈢敓鐨�锛佸彟澶栵紝鏈夌殑浜鸿鏂囩珷涓矑鏈夋彁鍒拌棟琛撳鐨勮垐瓒�锛屾墍浠ヤ笉鑳介伕锛屼絾鏄珛娉ㄦ剰鍗充娇娌掓湁鎻愬埌钘濊瀹剁殑鈥滆垐瓒ｂ€濊綁璁婁簡锛屼絾鏄痠nterest 閭勬湁锛傞棞蹇�锛岄棞娉紓鐨勬剰鎬濄€傞棞閸甸倓鏄皪瑭炲尟鐨勭簿纰哄叏闈㈢殑鐞嗚В锛屽湪鏈枃涓璱nterest琛ㄧず鈥滆垐瓒�锛岄棞蹇�锛岄棞娉ㄢ€濋兘鏄彲浠ヨ鐨勯€氱殑銆傝棟琛撳濡傛灉灏嶈嚜宸辩殑浜嬫キ(y猫)娌掓湁鑸堣叮锛屾渻鍘绘弿杩版儏鎰�锛岀櫦(f膩)琛ㄤ綔鍝�锛岃〃閬旇嚜宸辩殑鎯呮劅鍡�锛熶竴鑸槸涓嶆渻鐨勫惂銆�

39.We can learn from the last paragraph that the author believes

A. Happiness more often than not ends in sadness.

B. The anti-happy art is distasteful but refreshing.

C. Misery should be enjoyed rather than denied.

D. The anti-happy art flourishes when economy booms

锛昏В鏋愶冀鎴戦伕B銆傛湰椤屾渶鍏锋湁鐖鎬�锛屼富瑕佸氨鏄疊/ D鐨勭埈璜�锛岃瀵悊鐢卞彲浠ュ涓€闋佺礄锛屽ぇ瀹朵篃娌掓湁鑰愬績鐪�锛岄偅涔堟垜鍐嶆姄C鐨勪竷瀵革紒銆€娉ㄦ剰鍘熸枃we need someone to tell us as religion once did, Memento mori: remember that you will die, that everything ends, and that happiness comes not in denying this but in living with it. It's a message even more bitter than a clove cigarette, yet, somehow, a breath of fresh air. (鎲傛剚鐨�(鍙嶅揩妯傜殑)钘濊鍛婅ù鎴戝€戠殑鐩＄鑻︽線锛屽嵒甯朵締涓€鑲′护鎴戝€戞竻閱掔殑娓呮柊姘ｆ伅銆傛湰鍙ヤ腑someone灏辨槸鎸囨湰绡囪◣璜栫殑鐝句唬钘濊锛岃€岀従浠ｈ棟琛撶殑鏈唱鏄痑nti-happy鐨�?锛熺函纰�锛乵ore bitter鈥濆皪鎳夆€渄istasteful鈥濓紱鈥渁 breath of fresh air鈥濆皪鎳夆€渞efreshing鈥�銆� )

that happiness comes not in denying this but in living with it.銆€涓璽his /it 閮芥槸鎸囦汉鐢熺殑unhappiness 涔熷氨鏄� misery. 閫欏彞瑭辩殑鎰忔€濇槸骞哥涓嶅湪浜庡惁瑾嶇敓娲讳腑鏈塵isery, 鑰屾槸鎳夎┎鍘绘帴鍙楁垨瀹瑰繊瀹�銆傚懡椤岃€呭皣閫欏彞瑭卞墠閷悗灏嶅湴鏀瑰浜嗭紝Misery should be enjoyed rather than denied.銆€閫欓噷enjoy浣滆€呯敤浜嗗€嬮潪甯稿叿鏈夊共鎿炬€х殑瑭�銆傛敞鎰忥細live with = accept or tolerate sth. unpleasant 鎬庝箞鍙兘绛夊悓浜巈njoy鍛紒銆€

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